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The first recording in a complete works of Chopin series that we can count on.
De Maria has shown an uncommonly rich romantic personality: precise in his reading and brilliant in his performanceThe first recording in a complete works of Chopin series that we can count on. After all, De Maria has shown an uncommonly rich romantic personality: precise in his reading and brilliant in his performance, which runs a gamut of inspiration that is not eccentric, but essential. De Maria meets the challenge of the Etudes with amazing assurance, in the identification of their poetic models, and in his ability to respect the formal references (we can see this in the toccata-like Etudes, so sharp and rendered in the traditional style, yet diversified through touch and color) as well as in the search for the most convincing musical reasons for the continuous changes of color and for the dialectic among the individual pieces of the two works: for example, the contrast between the sixth and the seventh Etudes of op. 25.
But the whole interpretation stands out for the freshness of manner, the sparkle of the ideas, as well as for the facility of the technique.
De Maria has shown an uncommonly rich romantic personality: precise in his reading and brilliant in his performanceThe first recording in a complete works of Chopin series that we can count on. After all, De Maria has shown an uncommonly rich romantic personality: precise in his reading and brilliant in his performance, which runs a gamut of inspiration that is not eccentric, but essential. De Maria meets the challenge of the Etudes with amazing assurance, in the identification of their poetic models, and in his ability to respect the formal references (we can see this in the toccata-like Etudes, so sharp and rendered in the traditional style, yet diversified through touch and color) as well as in the search for the most convincing musical reasons for the continuous changes of color and for the dialectic among the individual pieces of the two works: for example, the contrast between the sixth and the seventh Etudes of op. 25.
But the whole interpretation stands out for the freshness of manner, the sparkle of the ideas, as well as for the facility of the technique.
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